1. Is Your Idea an Invention?

To count as an invention, your idea must contain at least one inventive step that is completely original or novel. That means there must be no record of that same inventive step anywhere in the world, at any time in history. That’s an extremely tough test, and most ideas proposed as inventions either fail it completely, or pass with such low marks that there isn’t much point carrying on. So grit your teeth, work through this essential Project and accept the possibility that your idea won’t make the grade - though don’t give up without looking at Project 3, which covers what you might be able to do with a good idea that isn’t as original as you thought.


The Importance of Prior Art

Prior art is a legal term that when applied to your idea broadly means any evidence in any recorded form whatsoever that tends to demolish or chip away the novelty of your inventive step. In short, prior art means it’s been done before.

Point one - the scope of prior art is awesome. It isn’t limited by time or place or medium of communication. A prehistoric cave painting can be prior art. A cartoon in The Beano can be prior art. A totally unworkable and near-lunatic idea can be prior art. Basically, any thing in any form from any time in history and any place in the world can be prior art.

Point two - physical products on sale anywhere in the world represent only a tiny fraction of what counts as prior art, even if you include products no longer around. The place you have to go to find the rest – the massive underwater portion of the iceberg - is the patent system. This contains well over 50 million patents, with more arriving every day. (The European Patent Office reckons that over 80 per cent of all technical knowledge can be found in patents, and that 70 per cent of the information in patents isn’t available anywhere else.)

As an aspiring inventor you have to navigate this teeming ocean of prior art and not find anything that looks like your inventive step staring back at you.

What are the chances you’ve got something original? Statistically, not good. Is it difficult to find out? Sometimes yes, but mostly no – as long as you search effectively, which we’ll tell you how to do.


Prior Art Horror Stories

The inventor of a spanner system spent £30,000 on patent applications in several countries – remortgaging his house to pay for them, at a time when £30,000 would buy you a whole house - without first carrying out a patent search. In due course the (then) Patent Office found so much prior art that he was left with nothing worth protecting. Goodbye £30,000.

The inventor of an odour-banishing toilet bowl toured round with a complete working toilet, performing 1600 demonstration flushes before finding an interested company. Unfortunately he hadn't done a patent search because nobody ever told him he should. The company did its own search and found a ton of prior art. The idea was unprotectable, the deal collapsed and the inventor threw away his toilet.

Many inventors mess up through denial of prior art rather than ignorance of it. They prefer the dream to reality and don't want to go looking for evidence that might burst their bubble. It's a human nature thing so it happens a lot, but it would be far better for the image of invention if it didn't.


Why Novelty Matters

Originality (or novelty, the preferred legal term we’ll use from now on) matters for three main reasons

  • If your invention isn’t novel you’re unlikely to have anything that you can turn into worthwhile intellectual property (Project 5). That puts the market value of your idea at or near zero unless you want to start a business that isn’t dependent on intellectual property (Project 3). Otherwise, everything you spend developing a non-novel idea may be sheer loss.
  • Lack of novelty is by far the biggest cause of inventors getting nowhere with their ideas. In our experience, around nine out of every ten ideas proposed as inventions can be shown, often in minutes, not to be original.
  • If your invention isn’t novel and belongs legally to someone else, you risk being sued for infringement if you develop it without their permission. (If you’re really unlucky, several litigants could sue you for different bits of the idea.)

Even if your idea seems to be novel, you may not be out of the woods.

First, your inventive step needs to be significantly novel. In other words, not just a little bit novel but a lot novel. What is or is not significant could be argued about endlessly and it’s a topic we’ll come back to in Project 3, but for example: in a world where all known mousetraps catch and kill one mouse at a time, a trap that catches ten mice, re-educates them and releases them 50 miles away will be significantly novel compared to one that simply catches and kills two mice at a time. But if the ten-mouser costs twenty times more than the two-mouser, the significance of its novelty may not be worth much in commercial terms, so significant novelty won’t necessarily gold-plate your idea.

Second, your inventive step needs to be non- obvious. If it can be argued convincingly that your idea would readily occur to someone ‘skilled in the art’ – a legal term meaning someone expert or experienced in that particular technology – you may struggle to interest anyone in your idea or get strong legal protection for it.

Lumping everything together, if your inventive step can’t pass the tests of novelty, significance and non-obviousness with flying colours your options may be so limited that there’s no point carrying on. Marketing your own product might be a possibility as long as you’re not infringing someone else’s intellectual property, but you’ll almost certainly find it difficult to get funding for a business based on an unprotectable idea.


Prior Art Searching

We’re now going to take you step by step through two prior art search processes: a product search and a patent search. One isn’t a substitute for the other so you must do both – and do them before you do anything else, certainly before you spend serious money on your idea.

Why is prior art searching so important? There are both carrot and stick reasons.

The Carrots

  • A thorough search report - ideally presented as part of a business plan - improves your credibility rating and your chances of getting funding.
  • Prior art searching can help inform you about your idea’s market potential by revealing other ideas and products that deal with the same problem.
  • Patent searches in particular can give you clues about how much need or urgency there may be to file a patent application (Project 5). This can help you control the cost and risk of developing your idea.
  • Prior art searching is a skill in its own right. Even if your idea doesn’t get off the ground you could benefit in other ways from your new-found knowledge.

The Sticks

  • It often takes only a few minutes on the internet to find prior art. If you don’t do it others will, and you’re not going to look too smart if someone can rubbish your idea without even getting up from their desk.
  • Finding out early on that your idea is a non-starter is good. You lose nothing, learn something and live to invent another day. Finding out after you’ve wasted lots of time and money is bad, and worse if you’ve wasted other people’s time and money as well.
  • Launch your product into the market without having done or heeded a prior art search and you could find yourself sued for infringement of someone else’s intellectual property rights. Whatever happens next will be expensive and unpleasant.

You also need to heed this advice

  • Rid yourself of any illusion that what you’re about to do isn’t really necessary. Over the years we’ve had countless inventors say: ‘My idea must be original because I’ve never seen anything like it on sale’. This is dumb, though perhaps not as dumb as a more recent variation on the same theme: ‘My idea must be original because if it existed I’d have bought one by now’. Existing products do indeed need to be searched but as we’ve already said, most prior art is found in patent databases, not in shops or catalogues.
  • Start searching as soon as you’ve had your idea, when with luck you won’t care if it turns out not to be novel. Delay too long and there’s a danger that your idea will start to take over the space normally occupied by your common sense, and from then on it’s downhill all the way. This is human nature at work so beware - it can happen to you, and it’s why we advise you to consider involving a more sceptical partner in your searches.
  • Don’t ignore evidence you don’t like. The whole point of a prior art search is to go looking for evidence you don’t like.
  • An absence of prior art at the time of your searches isn’t necessarily a permanent absence. You must update your searches periodically for as long as you develop your idea.
  • No prior art search - not even the official Intellectual Property Office examination - is regarded in law as conclusive proof of novelty. We deal with this in Project 5 but you might as well know it now.
  • Patents only cover what is patentable, but what is not patentable (or not patented) can still be prior art.



How Long Will it Take to Complete the Searches?

It’s impossible to say. It could range from a few minutes if your first keywords are spot on and your idea is doomed by obvious prior art, to many hours over many weeks if nothing directly relevant leaps out and you have to try different keywords or look in detail at many patents. All we can really say is that you must be prepared to spend all the time it takes to be confident that you’ve done a proper job.

The golden rules are -

  • Your mission is to find evidence that disproves the novelty of your inventive step. Your hope is that you will fail, but in the interests of a thorough search put that to the back of your mind. (Alternatively, get someone else to search with or for you.)
  • Assume that if you’re not finding prior art, it’s because you’re looking in the wrong places.
  • Keep records of everywhere you look and everything relevant that you find. Download, bookmark, copy-and-paste – whatever it takes.

Try all possible angles of attack until you’re confident there’s nowhere else left to look. A demonstrably thorough and well-recorded search is essential because how else do you prove that something isn’t there? Break up your search into several short sessions if you get bored easily, but don’t give up. Walk away after half a job and trouble will brew in the half you didn’t do. Assessors of inventions live in that other half.


Project 1 Checklist

The following checklist is partly an action planner and partly a reminder of what matters. If you’re tempted to think ‘I don’t need to do all this stuff’, it may help to point out that we’ve modeled the checklist on questions professionals are very likely to ask if you want their advice, support or money. We therefore have to be stern and say that if you aim to be a respected and successful inventor, you can’t afford to duck any of it.

  • Professional patent search
  • Who did you use (patent attorney, Intellectual Property Office etc)?
  • Summarise their findings.
  • Own patent search using Espacenet
  • What keywords or strings gave you your most relevant search results?
  • What’s the most relevant ECLA (patent classification system maintained by the European Patent Office) for your inventive step and how many patents does it contain?
  • List any other relevant ECLAs searched.
  • List all patents that you consider relevant to your inventive step, either as prior or competing art.
  • List any that you can’t yet make a decision about (for example, because they’re in a foreign language or there’s too little information available).
  • Short-list the patents that you think pose the biggest threat to your inventive step or the claims you might want to make for it.
  • Product search
  • List the sources you used to find information.
  • Which were the most useful, and why?
  • Give details of all products (past, present or proposed) that are relevant to your idea, either as prior or competing art.
  • Assessment of findings
  • How confident are you, on a scale of 1 (low) to 5 (high), that your inventive step is novel and not threatened by prior art?
  • If you’ve scored below 5, what makes you think you can keep your idea alive?
  • Most ideas proposed as inventions turn out not to be novel. Can you honestly say you’ve made all reasonable efforts to find prior art?
  • Remember
  • If you discover early on that your idea isn’t novel, no harm is done and you may still be able to exploit it. If however you carry on as though it’s novel, you could be heading for serious financial and legal trouble.

Next Project...

PROJECT 2

Competition & market potential

Thinking of your idea not as an invention but as a business opportunity starts here.


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